Metaphorically speaking,
the apocalypse is standing
with feet turned slightly away from each other,
clockwise
and counter-clockwise
respectively,
watching us from under a dark brown fedora,
lurched forward slightly
with arms crossed,
stoically exercising the demons
that tiptoe through crazy gardens
leaving thoughts for pennies;
cents for sense.
Metaphorically speaking,
the apocalypse watches
from the corner of a mine,
dwarfing everything else in a subtle way,
and dreaming
the floating white horse,
a pale horse,
beholding death,
who merely laughs
and high-fives apocalypse so thunderous,
that underwear everywhere is collectively soiled,
plowed,
and cultivated for crops.
Metaphorically speaking,
the apocalypse moves slowly,
the amorphous minutes ticking riddle
that kills life slowly
every magical day,
laughing monotone sounds
that barely penetrate contextual Cerberus
howling sunset majesty down rivers
gone yellow around the edges;
time methodically disappearing
drifting away into destruction,
because as it stands,
apocalypse doesn’t seem to know any better.
I am the best thing you've never heard of.
I hold a Bachelor's in English, History and Secondary Education, and a Master's in English: Creative Writing, though my appearance belies intelligence.
My goal in life is to write and to be read. It's a modest stretch by most imaginations.
To most I'm amazing.
It all depends on your definition of literary merit.
All poems contained on this blog are ©Thomas Boersma unless otherwise noted.
Thursday, March 25, 2010
Poem-A-Day: Day 133
Met Apocalypse
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